The title prefigures the author’s method, which is one … And then exploring it through a project to rebuild it. "Dances would have been held there; the music lingered, a palimpsest of unheard sound,style upon style, an undercurrent of drums, a forlorn wall," (3). And then around each location we extracted snippets and ranked them by text specific interestingness…. We started by collecting data from different literature providers, with anything we could access including large collections from HATHI and the British Library. Photo credit: Chris Scott. Gore Vidal, Palimpsest Vidal’s rambling gossipy memoir, while not exactly compulsive reading is rarely dull. Names will be reattributed to entries only after the short list and winners have been decided. […] Everlasting layers of ideas, images and feelings, have fallen upon your brain softly as light. Although it might seem that these less accurate way of seeing and representing the world is inferior, and we perhaps should direct our efforts to make people be able to perceive the world as accurately as possible, in my opinion it is better to think about how to take advantage of the flexibility, ambiguity, and connectedness of our natural perceptions of space. It impels us to replace these systems with new foundations that privilege the conceptions of “multi-linearity, nodes, links and networks.” Roudiez, Leon S. Desire in Language: A Semiotic Approach to Literature and Art. The quality of entries was so high. The winners will be announced at this event. You can see in the 1610 prospect by John Speed, for example, that the Canongate seems to be very much a part of Edinburgh, with no division between the neighbouring burghs. humbly explaining that I was merely a tourist and unable to oblige the company, I further lowered myself in its esteem by asking if they knew who Sir Walter Scott was. Freud’s mystic writing pad is metaphor for the palimpsest and for the functioning of memory. Judges are unable to comment on individual entries. Thank you all for coming along to the launch event for what has been 15 months of extremely hard work, of a fantastic team working across English Lit, visualisation, Informatics and our friends in EDINA who have built our database. Space, place and mapping have become key concepts in literary and cultural studies. It may also call a thing by the name of the material it is made of, or it may refer to a thing in a container or packaging by the name of that container or packing. Paper, parchment, or other writing-material prepared for writing on and wiping out again, like a slate. In the 20th century, as its inhabitants were moved out to social housing on the outskirts of Edinburgh, it became something of a backwater, a quiet and rather neglected area. We invite you to respond to this rich literary history and/or to Edinburgh’s geography and urban development, taking as your starting point either a map or a text. Doug is now reading the opening section from The Dead Beat, published 2014. I would also like to single out some of the people who have helped along the way here, to Mark Hadden who provided design for our website, to Jane Hislop who allowed us to use their artwork. When the celluloid sheet is written on, traces of the writing appear on the wax paper, but when the paper is detached from the wax layer, the traces disappear, leaving the writing pad blank. Continuum, 2007, Dillon, Sarah. We have also built a mobile app, which I’ve been working on, which shows you snippits near you as you walk around town and allows you to explore the snippits (click on the “i” symbol) and to see the full text, or browse other works in that place…, David is currently demonstrating the iPhone/iPad app which enables you to see all of the extracts around you, to explore snippits, or to switch to view the texts in a larger map. Not the writing which comes out of Edinburgh, but the writing that is about Edinburgh, that takes Edinburgh as it’s setting and it’s resonance as a city. The Modernist Scottish poet Hugh MacDiarmid valorised the homogenous, incorporated society of Montrose and other north-east towns like it, as much as he did the language in which they spoke. 111 books and over 12600 excerpts – over 20% of the Palimpsest data – were retrieved from the British Library Nineteenth Century Books collection, a set of over 65000 works covering philosophy, history, poetry and literature. […] They are not dead but sleeping […] there is none of passion or disease that can scorch away these immortal impulses. S/Z. Download the leaflet here: Lit Long launch leaflet. James Gordon of Rothiemay, Plan of Edinburgh (1647). Chemical agents were used in the recycling process to erase the existing text; the new text was subsequently superimposed onto the clean sheet. Amazon.in - Buy The Palimpsest: Literature, Criticism, Theory (Continuum Literary Studies) book online at best prices in India on Amazon.in. It's true, the first scream, whimper even, and I'll turn to jelly, I'll confess to any crime, I'll end] The app contains over 47,000 extracts from 550 books across 1,600 locations in the city – so you are never going to be far from a relevant and interesting literary extract in Edinburgh! The palimpsest is also often likened to the human brain and to memory. In Domicile of ancient Kings, Posts about Medieval Literature written by harbina Welcome to The Augmented Palimpsest The Augmented Palimpsest is a project developed by Tamara F. O’Callaghan, Associate Professor of English at Northern Kentucky University, and Andrea R. Harbin, Associate Professor of English at the State University of New York, Cortland, both medievalists working in the digital humanities. It was my absolute pleasure to be the judge of the writing contest that the Palimpsest project set up. **Letter from Henry Brevoort to Washington Irving March 1st 1813. Letters of Henry Brevoort to Washington Irving. Perhaps this is why visitors to Edinburgh seem to have been struck by the people of the city as much as by the its architecture and geography. Palimpsest and seduction: The glass palace and white teeth Abstract There is much critical commentary on the use of palimpsest as a metaphor in postcolonial … On a single webpage, it is not uncommon to find several hyperlinks contesting with each other, much like the texts on a parchment of vellum. All work submitted for consideration can be on any subject, and written in any style or form, but must be fiction and the entrant’s own original writing, and should not have appeared in print or appear on a website (including blogs and social networking sites) or have been broadcast, or be submitted for publication or consideration elsewhere, Entries must clearly address the brief, responding to historical or contemporary mappings of Edinburgh and/or to the city’s geography. And if you have any questions about the data mining please do get in touch. Presentation (e.g. Some literary theorists believe that synecdoche is more than just an ornamental element of literature rather, a primary means of describing and discovering the truth via literature. I used to take Edinburgh for granted – that there were so many writers everywhere… But when I became Makar I was forced to reexamine that, and. In addition to a great write up of the project, the piece also includes this video shot at the press launch on the day of the Lit Long Launch event. Works Cited The picture of the Canongate that emerged from writing about the area is fascinating: from its 17th century grandeur, with its  luxurious palaces with lush gardens, it gradually declined through the 18th and 19th centuries, coming to be marked by  industrialisation and poverty and associated with the dark deeds of figures like Deacon Brodie and Burke and Hare. Lucas, Gavin. To rid themselves frae Jail and Dun. The LitLong:Edinburgh mobile app allows you to use your iOS device to explore Edinburgh’s literary past, and it is free to download and use. Entries received after the deadline (given in UK time) will not be considered. In the late eighteenth century, Edinburgh scientist James Hutton, known later as the ‘Father of Geology’, used the Crags to develop his theory of the earth as an ancient system of heat and rock in constant (if slow) change. But in his field notes he describes the crags in the language of geology. Walter Scott, however, followed the taste of the romantics, for whom mountains were sublime and even gothic. I would recommend you browse and explore yourself! So then I wrote my first book set in Edinburgh, which was called Hit and Run, which is all set in SouthSide and Newington and really not beyond that space…  And my next book was called Gone Again which was set in Portabello, where I was living. The normally cavernous room was animated as the actors talked and strolled around: watching them promenade together and greet visitors, you got a sudden sense of what the library must have been like when it was in use, a grand social space in which countless people would not only consult books and study but also people-watch, make acquaintances and converse with friends. Each succession has seemed to bury all that went before. Synecdoche is a literary device in which a part of something represents the whole, or it may use a whole to represent a part. Aside from MacDiarmid’s estimation of the city as ‘a mad god’s dream’, the closest Edinburgh comes to appearing in the context of the Scottish modernist period is in Muriel Spark’s The Prime of Miss Jean Brodie. In addition to the out of copyright works which we included in Lit Long: Edinburgh we were delighted that a number of wonderful contemporary authors who agreed for us to include their work, including those who are with us this evening. And yet in reality not one has been extinguished. To illustrate the visual stories of the maps, we read extracts of literary works that are set in or describe this important thoroughfare, its architecture and its inhabitants. Use features … All entries will be assigned a number and made anonymous upon receipt. Writing in the late Nineteenth Century, the soon-to-be novelist Margaretta Byrde found herself intrigued and touched by the city’s waifs and strays. PART ONE excerpted from the book 1984 by George Orwell Harcourt Brace 1949 - Plume printing 1983, paper p1 It was a bright cold day in April, and the clocks were striking thirteen. The Palimpsest team went along to talk about the ways in which this ancient and intriguing part of the old town has been immortalised in writing. Duncan Milne, Edinburgh Napier University. The copyright in each story submitted remains with the author and authors are free to submit stories for consideration elsewhere after the competition has concluded. The limitations of that extract was that we couldn’t get enough material into it… We couldn’t read enough books, we couldn’t get enough extracts in… And we had a fairly sparse experience, despite a lot of good work. Their work examines the London based newspaper The Era made available by the British Library to determine how the Victorian Era discussed and portrayed disease, both temporally and spatially. Everyday low prices and free delivery on eligible orders. They were also present at Doors Open Day, where they filled the Playfair library. So we brought in the machines, and our colleagues in Informatics who are experts in text mining… We didn’t know what it would create… perhaps a Frankenstein’s monster… But perhaps in a great way. We cordially invite you to join us on 30th March 2015 at the launch of Lit Long: Edinburgh, an interactive resource of Edinburgh literature emerging from the Palimpsest project. Although I can now say that I have experienced an episode of “Xanax-induced Palimpsest” (anterograde amnesia). * Scott and Oliphant were reanimated by Artemis Scotland. Towards the end of the same century however, Buddhism gained prominence and Angkor became a centre for Buddhist worship. Anim. The judges’ decision is final and no individual correspondence can be entered into. font) is at the entrant’s discretion. Lit Long: Edinburgh is the visual, interactive component of Palimpsest, an AHRC-funded collaborative project between the University of Edinburgh’s School of Literatures, Languages and Cultures; the School of Informatics; the University of St Andrews’ SACHI research group; and EDINA. A collection of historical maps digitised by the National Library of Scotland is available. And we really wanted to scale that up. Download the app here: https://itunes.apple.com/gb/app/litlong-edinburgh/id1004433531?mt=8, More details about the app and LitLong can be found here: http://litlong.org/navigating-with-litlong/download-our-app/. Along with other figurative languages such as metonymy, metaphor, and words of irony , synecdoche builds a new and creative connection in the way that we, as readers and writers, understand concepts. The Angkor Wat is therefore an example of what archaeologists refer to as ‘cumulative palimpsests’. A better site for such a building could hardly have been selected; for the chapel, situated among the rude and pathless cliffs, lies in a desert’. Roland Barthes’s description of the slippery nature of an “ideal textuality” matches that of the palimpsest: In this ideal text, the networks are many and interact, without any one of them being able to surpass the rest; this text is a galaxy of signifiers, not a structure of signifieds; it has no beginning; it is reversible; we gain access to it by several entrances, none of which can be authoritatively declared to be the main one; the codes it mobilizes extend as far as the eye can reach, they are indeterminable […] the systems of meaning can take over this absolutely plural text, but their number is never closed, based as it is on the infinity of language. This favouring of a semi-rural, ‘peripheral’ Scotland as being somehow more authentic was a theme which would be repeated throughout the movement, in the writing of Edwin Muir, Lewis Spence and Violet Jacob. The LitLong:Edinburgh mobile app allows you to use your iOS device to explore Edinburgh’s literary past, and it is free to download and use. Indeed, for more than a decade now I'm employing not any other writing device apart from keyboard while sending through it, for further word-processing, my literary strokes on it. The well deserved winners of the BL Labs research award are Professor Ian Gregory and his team working on the Spatial Humanities project. Please do leave us comments here, tweet us @litlong or get in touch with the team. As a literary device, it’s slightly stronger than a symbol as it occurs more than once, but not quite as big as a theme, although it might contribute to the theme. You can read more about the Awards on the British Library’s Digital Scholarship blog. The three dimensions of space (left-right, forward-backward, up-down, or any hybrids of these) and time. New York: Macmillan, 1974, Dillon, Sarah. Regi is now reading from The Waiting, 2012. “A cumulative palimpsest is one in which the successive episodes of deposition, or layers of activity, remain superimposed one upon the other without loss of evidence, but are so re-worked and mixed together that it is difficult or impossible to separate them out into their original constituents.” In other words, instead of providing a narrative of origin or evolution, these palimpsests trace the inscriptions and erasures of different cultures, which in turn compete and struggle with each other. All location mentions within the Palimpsest data were geo-referenced by the Edinburgh Geoparser to a fine-grained Edinburgh gazetteer, and excerpts containing them are linked back to the original electronic documents of its data provider, and in the case of the BL works to JISC Historical Text, to enable close reading. The farther I am from the hand lettering my The data behind the LitLong interfaces, which were developed by the SACHI lab as part of Palimpsest, was created by text mining out-of-copyright literary works as well as a select number of contemporary books, and included work from Robert Louis Stevenson, Walter Scott, Muriel Spark and Irvine Welsh. Byrde writes, she says, to give “honourable memory” to the easily forgotten children of the street: her small people, just like Brevoort’s Professor Playfair, are remarkable for their honesty and simplicity, their intelligence and their respect for learning and culture. No longer museum-like, the library seemed to come to life again, restored to its original character. provides the first ever genealogy of this metaphor. It was certainly great fun to be a part of the celebrations. My first thanks go to all the wonderful entrants to our competition, expecially our marvellous short listed stories. Elspeth Jajdelska, University of Strathclyde. Lit Long is the work of the Palimpsest project, which began 15 months ago with generous funding of the AHRC. Big A described how to dissect a cube into 14 pieces, and asked how many different arrangements were possible (spoiler alert: there are 17,152 possible combinations). Landow, George P. Hypertext 3.0: critical theory and new media in an Era of Globalization. This is a story that really started with The Meadows, and the area around the Meadows, and I’m going to read an extract from early on in the book. The internet, in its obsession with being current, projects itself as a virtual palimpsest. Once you try to capture the kinds of ways that the city has been written it’s not one really where you can see everything at once, we’ve tried to acknowledge that we can’t see it all at once. Entry is free but all entries must be accompanied by a completed entry form. Sarah Dillon, ‘Reinscribing De Quincey’s Palimpsest: The Significance of the Palimpsest in Contemporary Literature in Contemporary Literary and Cultural Studies,’ Textual Practice, 19 (2005), 243–263, (especially 254–255). Entries are restricted to one entry per person and all entries must be accompanied by an entry form including contact details. Lit Long: Edinburgh makes a major contribution to our knowledge of the Edinburgh literary cityscape, with potential to shape the experience and understanding of critics and editors, residents and visitors, readers and writers. Announcement of the British Library Labs Awards. Palimpsest will help us relate the space of the city to the more human and more complex collective experience of literature in the city and, importantly, to perceive it across time. Among them Daniel Defoe’s  ‘A Tour through the Whole Island of Great Britain’  gave us an image of the Netherbow, while Boswell’s account of his meeting with Samuel Johnson in the Black Bull Inn and their stroll up the mile together gave a visceral sense stench of the overcrowded slums, and Robert Fergusson’s Auld Reekie painted a picture of a ruined Holyrood House, once a great palace but then a squatters sanctuary: For O, waes me! Our name for the project, Palimpsest, evokes the This year Palimpsest took part, bringing our wonderful Walter Scott back to life again and this time providing him with a charming companion in the form of Mrs Margaret Oliphant, one of Edinburgh’s most prolific and, in her day, most popular authors. I am also hugely grateful to Artemis Scotland for allowing us to bring Walter Scott and Margaret Oliphant back to life, initially for an event at the Edinburgh Book Festival where for one glorious hour Walter Scott was in conversation with James Robertson. From the Old Town, with its dark, winding closes and looming gothic spires, watched over by the castle perched on craggy cliffs, to the New Town with its elegant rows of Georgian houses, public gardens and dramatic vistas out over the Forth, Edinburgh has inspired countless writers. All five of the shortlisted entries were publishable standard and I look forward to seeing them all in print… But the story I’m going to introduce is Candlemaker Row, by Jane Alexander. Palimpsest as a device has made a clear violence to the original text by Daniel Defoe and as a result it conceived two interrelated books that has from the original one only names, setting and sometimes the chronological order of He spent his time getting roystered out on the High Street, but he was also a great thinker. Literary Terms Absurdist tradition refers to twentieth-century works that depict the absurdity of the modern human condition, often with implicit reference to humanity’s loss or lack of religious, philosophical, or cutural roots. In my own research I take advantage of this ambiguity by making non-linear deformations of space useful and easy to do (see http://transmogrifiers.org and the image below), and by trying to understand better how people perceive space in flat and non-flat digital representations (http://bit.ly/nacenta_research). There were so many and so varied takes on the city of Edinburgh, it is so much more than just writers in frock coats. The multiplicity that emerges from the palimpsest, through the intersection of pheno-text and geno-text, produces a sense of ambivalence, as the pheno-text is never as sure or fixed as it wants to be, and the geno-text causes constant slippage. I don’t know the Scottish equivalent for ‘rather’, but, had American boys been asked of they had ever heard of George Washington, their facial expression would have contained much the same blend of pity and contempt. Location: 50 George Square, Project Room (rm 1.06), Edinburgh, EH8 9JX. With time however the traces of old writing reappeared, leading to the creation of a palimpsest. The competition is open to anyone over 16 years of age. the Thistle springs We would like to thank Mahendra Mahey and his team for their support in giving us access to the data. Webpages are also loaded with hypertext or hyperlinks which ascribe a sense of multi-linearity, characteristic of the palimpsest, to our viewing experience. Here was a competing notion of Scottish modernity, focused on the experience of the urban labouring classes, a demographic hitherto absent from Scotland’s representations of itself. Meanwhile, the Palimpsest Project and LitLong have recently been featured in the Edinburgh University alumni magazine, edit, with their article “Literature with Latitude“. In contrast, at the same period, there was a developing literature of industrial experience centred on the Clyde, as seen in the fiction of George Blake and the range of vernacular poetry which arose in the shipyards and factories of Glasgow. The church couldn’t stand it… As he was on his death bed, dying and knowing where he’d be going after death – nowhere – he had an endless stream of Scottish ministers bothering him, trying to convert him… So here “David Hume takes a walk on Arthurs Seat”. Judging will be fair and unbiased: judges will declare any potential conflict of interest e.g. John Speed’s Prospect of Edinburgh (1610). 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